
The good folks at the American Prospect Online were kind enough to publish this article written by myself and the good Dr. Roy Edroso. It’s about right-wing criticism of the arts, and it’s pretty amusing, if I do say so myself. Excerpt:
Libertas, the blog sponsored by the right-wing Liberty Film Festival, makes a mission of finding the political talking points in loud summer blockbusters. “The films politics are decidedly pro-American, pro-military, and even *gasp* pro-freedom,” says one review at Libertas. “[The director’s] affection for the American military is obvious in every scene they’re in. They are uniformly portrayed as heroic, extremely competent, selfless, and even kind to Arab children. The theme of the film is spoken out loud more than once: No sacrifice, no victory.” Which film is he talking about? Why, the robot smash-’em-up Transformers, of course. Of Harry Potter and the Order of the Phoenix, Libertas reported, “The bottom line is that Harry’s readying his troops for war here. The word ‘war’ is even used. They’re going to fight evil even if the Democ– er … Ministry of Magic won’t.” At Libertas, every popcorn clash of Good and Evil has some relevance to the War on Terror, whether the combatants use guns, magic wands, or overgrown Hasbro dolls.
Read the whole thing, and be sure to give us lotsa traffic and/or positive feedback. Thanks, kids 🙂
UPDATE: To the cruel and nasty person in the comments who compared our piece to Camille Paglia’s latest insanity, all I have to say is puh-leaze, homey. You will not find any sentences such as this one in our piece:
On the culture front, fabled film directors Ingmar Bergman and Michelangelo Antonioni dying on the same day was certainly a cold douche for my narcissistic generation of the 1960s.
And that’s not the worst of it:
We who revered those great artists, we who sat stunned and spellbound before their masterpieces — what have we achieved? Aside from Francis Ford Coppola’s “Godfather” series, with its deft flashbacks and gritty social realism, is there a single film produced over the past 35 years that is arguably of equal philosophical weight or virtuosity of execution to Bergman’s “The Seventh Seal” or “Persona”? Perhaps only George Lucas’ multilayered, six-film “Star Wars” epic can genuinely claim classic status, and it descends not from Bergman or Antonioni but from Stanley Kubrick and his pop antecedents in Hollywood science fiction.
Does Paglia honestly think that “Attack of the Clones” belongs in the same breath as “The Godfather” and “The Seventh Seal.” Egad, I is frightened.
UPDATE UPDATE: I can has fixed teh link.





