Posted on April 1st, 2006 by Gavin M.
It’s been a big week, and it’s definitely time for an extra-big, soothing cup of that tea I’ve been drinking lately.
The Right Brothers – ‘We Didn’t Start the Fire’ ‘It’s The End of the World as We Know It’ ‘Bush Was Right,’ (5:09)
We haven’t heard much from these guys lately, for some reason or another. Oh wait:
‘What About the Issues.’ Finally. A response to all that hate mail. Not available on any other album. Free for a limited time only! Preview.
Hee. It’s a classic Keane-eyed wingnut plaint for civility, like they always do when they’ve screamed Yee-haa! and shot at you until the ammo ran out, and now at long last you’re about to clock them in the nuts. Like, Peace, dude — can’t we talk this over rationally? The cartoonist Vaughn Bodé had the perfect sound effect for someone getting clocked in the nuts. “Hey, Right Brothers.” “What?” [Goomph!]
Is it even possible to have a Myspace page and have only three friends? Anyway, when TRB were first running around stealing other people’s ideas (‘TRB’ is properly the appellation of the Tom Robinson Band, known for the song ‘Glad to be Gay’ among others, while the fade of Cheap Trick’s At-Budokan version of ‘Surrender’ makes a brief, kidnapped appearance at the end of ‘Bush Was Right’), they nabbed a guitar trick involving octave-doubling a note and sliding it up and down the neck that ultimately comes from Rikk Agnew, former guitarist of the Adolescents and Christian Death. Time was, there were only a few other people who did that — early-adopter thieves — and I’ll list the ones from the East Coast that I’m aware of: myself and Doug ‘Sluggo’ Vitzthum, then of Pleased Youth. I daresay it’s a nice, fluid-sounding and butt-simple way to add counterpoint, even sometimes when these yunk-heads do it.
Crucifix – ‘How When Where,’ Target Video footage recorded 1983 (1:43)
One of the original hardcore bands that make newer punk sound flimsy, fronted by a guy named Sothira, who (it was said) came to San Francisco as a Cambodian refugee. Sothira had a major timing problem, though. When you can’t count to eight on the beat, you definitely ought to be practicing at home with a metronome.
Marc Ribot y los Cubanos Postizos – ‘Aurora y Pekin’ (8:55)
Ribot is one of those rare guitarists who can play ordinary, simple phrases rivetingly.
(P’raps more later under the jump…)